| Esmeralda | |
|---|---|
| Format | telenovela |
| Created by | Delia Fiallo |
| Written by | Georgina Tinoco Dolores Ortega Luz Orlín |
| Directed by | Beatriz Sheridan Martha Luna |
| Starring | Leticia Calderón Fernando Colunga Enrique Lizalde Raquel Morell Raquel Olmedo Dina de Marco |
| Theme music composer | José Antonio "Potro" Farías |
| Opening theme | Esmeralda by Javier Rodríguez |
| Ending theme | Esmeralda by Javier Rodríguez |
| Country of origin | Mexico |
| Language(s) | Spanish |
| No. of episodes | 137 |
| Production | |
| Producer(s) | Salvador Mejía |
| Editor(s) | Juan Franco |
| Cinematography | Jesús Nájera |
| Running time | 45 minutes |
| Broadcast | |
| Original channel | Televisa |
| Original run | May 5, 1997 – November 28, 1997 |
| Chronology | |
| Preceded by | Alguna vez tendremos alas |
| Followed by | Desencuentro |
| External links | |
| Website | |
Esmeralda is a telenovela that was released by Televisa in 1997. It is a remake of a 1970 Venezuelan telenovela of that same name, and was itself remade in Brazil in 2004. Another version is Topacio from Venezuela in 1984.
Rodolfo Peñareal is obsessed with having a male child. After many abortions, his wife Blanca is pregnant again. One night, a girl is born, but they believe that she was born dead. In another house in the same town, in a humble house, a boy is born, but his mother dies during labor. The midwife and the nanny of Blanca, with their best intention and with the aim to calm down Rodolfo, decide to exchange the children. Blanca puts a pair of emerald earrings on her supposedly dead baby so that she is buried with them. Once the exchange is done, the midwife, Dominga, discovers that the girl is not dead, but now it is too late to right the wrong. In this way, the boy that was born in a miserable hut sees his first light in the opulence of the big house, while the sweet little girl who was entitled to a golden crib, gives her first steps among ramshackle walls and misery.
Esmeralda, the Peñareal’s baby girl, was born blind, but the kindness of her heart provides her the light to be happy and the illusion to believe that someday she will meet love. Her eyes are the ‘eyes of love’.
Time passes and the destiny of both of the children, Esmeralda and José Armando, come across and they instantly fall in love.
However, the obsession, the wish, the family interests, the false love of a woman and the Peñareal’s pride to make their lineage prevail, destroy any noble feeling. Esmeralda and José Armando are the victims in this sea of resentment that, little by little, submerges them into the darkness of indifference.